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Well met, Sam, and thanks for the kind words! I’m Canadian (and Ontarian) too, and I’ve done a lot of interviews with the CBC over the years; do you remember which one this might be? I don’t have copies of any of them, I’m afraid, and suspect no copies exist any longer, but who knows? Failing that, of course, feel free to ask me anything here, and check out the videos (which are, come to think of it, a series of short “interview answers without a questioner” from me). And I don’t know about “brilliant,” but I fully intend to go on crafting fantasy for years to come! (Next up starring Elminster: THE HERALD, out this June in hardcover, the last book of The Sundering Saga – - and I’m already working on the next Elminster book! I also have a steampunk novel in the works, THE IRON ASSASSIN, that should come out from Tor when the time is right, and of course a blizzard of Kickstarter short stories and game stuff and the usual Forging the Realms weekly Wizards of the Coast website columns…not to mention Platter of Surprises e-books that you can find right here at theEdVerse, and freebie short stories and columns and . . . whew! It never ends!)
Keep reading, Sam, and I’ll keep writing!
Thank you! Glad you like my stuff, and I think we all have stories we want to tell and we should all have a go at it. Some stories are smash sales hits and some go unnoticed and most land somewhere in between, but it’s the journey not the destination, as many a wise sage has said: write because you want to, because it’s your dream, because it changes you for the better. Storytelling is what humans – - the best humans – - DO. Never stop writing, no matter what success or lack of it comes your way; do it for the dream! (And as you can probably figure out from what I’ve just said, I never intend to stop writing.) Yes, a third Niflheim book would be grand. I don’t have one written yet, but I do Have Plans . . . so expect more somehow, somewhen!
Hi, Otis! Well met! I love to hear that I’ve had a hand in making the life of anyone who games (or otherwise uses their imagination) richer or better or just given them some good fun time with friends. I’d certainly love to chat with you on your podcast, but I doubt I’ll make Dragon-Con this year (it’s not that I don’t want to, it’s that I’m so busy now with game design and my day job and looking after my wife and all of the real-world obligations that seem to grab my every waking moment). But SOME year, you bet! Looking forward to hanging out with you!
Storytelling and worldbuilding are what I live for! Eat, drink, and sleep imagining my way around fantasy worlds (including Professor Tolkien’s Middle Earth). And thank you; I try to be thoughtful and kind hearted, in a world where being so seems rarer and rarer. We only get to do this journey once, so one might as well be good company for everyone else making it that we encounter. After all, if a life isn’t full of friendship and fun, it’s not really worth much . . .
Hey Ed, just sending greetings all the way over from Denmark to reassure you that the influence of your writing does not end at the American shore! I started D&D with the 2nd Edition, and personally got introduced to your Forgotten Realms through Douglas Niles’ Moonshae Triology, and the Elminster Series, and I will say this, even when knowing that books like the Silmarillion and the Fionavar Tapestry exists: Your books has helped me get a visual image of the Realms, and the sense of an atmosphere which I have never experienced in a book since. I realise that not everyone may agree with me, but Elminster has and always will be my favourite character of fiction, and I sincerely hope you never decide to permanently kill him off. It would be like losing a near and dear friend that’s been with you on an age-long journey. Keep up the good work, Ed of Greenwood, and know that you writing has done a lot of good, if not only to this one person!
Thank you very much for the kind words, Lukas! Although I love to write about all sorts of characters, Elminster is a favourite of mine, too, and I have no plans right now to destroy him “forever and for good.” That doesn’t, however, mean I won’t push him into some awful situations (see my recent Sage of Shadowdale trilogy, and THE HERALD, last book of the Sundering Saga, out this June), because watching him cope with crises is great fun for me as a writer, as well as something many readers tell me they enjoy. I think you’ve spotted the key to writing about the Realms, for me: I want to share the full rich setting with my readers, from its rain and dead trees in the forests to the little furry scurrying things, not just the heroes and villains. As it happens, I’m a fan of both Professor Tolkien’s writing and Guy Kay’s, so I’m flattered indeed that you’ve compared me favourably with them. Thank you! (And keep reading; I’m not done yet!!!)
hey ed i just wanted to say you are one of my favorite authors and was wondering when you were coming to wa state (i live in olympia) but would really love to introduce you to my now 3yr old daughter, Tsantress Alustrial Nacacia. not surprising her and her little brother Onyx have their own language
Hi, Shannon! I would love to meet you and your daughter. You have named her wisely and well.
I am a busy boy these days, and SeaTac is a long and wearying plane ride away (from where I live, in the rural wilds of Ontario, Canada, about halfway between Toronto and Kingston), but I do manage to get to your neck of the woods once and sometimes twice a year. Unfortunately, my visits are usually super-secret (oops ;} ) summits at Wizards of the Coast in Renton, WA, leaving you a still a hefty car drive away. I’ll let you know the next time I’m coming out, though, because last time the summit incorporated a signing and author reading at a lovely Barnes & Noble in the north end of Seattle. We’ll meet some time!
I was wondering if there would be any signed copies of “The Herald” available for sale or if by chance I could mail you a copy with return postage to be signed?
Love all your work!!!
Be safe in all worlds!
Thank you for the kind words and good wishes, George. There are indeed signed copies of THE HERALD available, and you can get them right here, through The Edverse!
Hi, todd! Well, I’m not in charge of book publishing at Wizards of the Coast and sometimes find out things about forthcoming books at the same time as every other reader interested in the Realms, but let me have a stab at answering you . . .
The Sundering Saga is six books, period, all standalones but related. They all tell tales of what happens during the Sundering, but focus on different main characters.
However . . . I know Bob Salvatore is charging ahead with a fantastic storyline he has worked out well into the future, at the rate of two new Realms novels a year, so he will be following the characters he’s already been writing about into new adventures.
Erin Evans is continuing to write about the main characters you’ve seen in her Sundering book, in a book that’s pretty much a direct sequel, and so is Troy Denning. I don’t think Paul Kemp or Richard Lee Byers have any follow-on sequels in the works right now, but I will, yes, be following Elminster into a book that isn’t a direct sequel to THE HERALD, but is pretty much “the next interesting thing that happens to Elminster.”
So the short answer is: The Sundering is a complete “overview” in and of itself, but in two-thirds of the cases, there will be books by the same authors exploring what happens next with their Sundering main characters.
I agree with you: to get back to ten novels a year would indeed be amazing, and I would very much hope we do see other authors stepping into the Realms to tell stories, but I don’t know what lies ahead for the Forgotten Realms® fiction line—and if I did, I couldn’t legally tell you. For my part, I fully intend to go on writing about Elminster and Storm and Amarune and for that matter Mirt and dozens of other Realms characters I want to spotlight more, for as long as I can! I will certainly try to keep them coming!
Thanks for the great friends and the many smiles and even the tears. I love them all.
Yes, indeed, and someday there will be more books set in Darsar, probably even in Aglirta itself.
Much sooner than “someday,” however (in a few months, I think), you’ll be able to read a short story (quite short, I’m afraid) entitled “Where Only Madmen Hide,” in one of the Platters of Surprises e-books I’m making available through this site. It’s set in the immediate aftermath of the disastrous military defeat that sent Hawkril and Craer heading back home to the mainland – - or in other words, days before THE KINGLESS LAND begins. Hope you enjoy it, and yes, rest assured that I plan to revisit that world and tell more fun tales therein!
I am a lover of the Forgotten Realms series, though most of what I have read has been from the works of Mr. Salvatore. I have also tackled some of the more stand-alone series like Threat From the Sea by Mel Odom, The Empyrean Odyssey by Thomas M. Reid, and Blades of the Moonsea by Richard Baker. But due to my OCD about chronological reading, I have been avoiding your works for fear of reading them out of order. Is there somewhere that you could direct me to that has a comprehensive list of how your books fall chronologically, or if not, do you think you could inform me as to where you think I should start? Elminster is what I am most interested in, but I would like to one day read all of your works, and I would hate to ruin any of the stories by knowing who lives and dies by accidentally reading a book that was written at a later time in the storyline. The works that you have written have been far too influential to the world of the Forgotten Realms for me to risk ruining the experience of reading your books.
I made that mistake with Mr. Salvatore’s Legends of Drizzt series in which I started with the Hunter’s Blades Trilogy, not knowing there were several books before. I then made the mistake of reading his works by publishing date, only to discover he wrote the Dark Elf Trilogy as prequels to his other books, which only served to ruin more of the suspense for me. I do not wish to make the same mistakes with your works.
I. HATE. SPOILERS. Even if they are accidental.
If you don’t know of a place where I can see a comprehensive list of your works sorted by storyline chronologically, would it be possible for you to make a list(s) of your works so that I can enjoy them even better than I did Mr. Salvatore’s works? I’m sure that other potential readers would appreciate this as well, and it might be something that you could consider adding to your website.
With the highest respect and greatest anticipation,
Hi, Mason. I applaud your efforts to keep things straight and read things in the order they happened in the Realms.
With that said, some of my books are “complicated.” One example is CORMYR: A Novel, that I co-wrote with Jeff Grubb. It is like a James Michener novel, covering the entire history of that kingdom. It starts with a “present day” crisis, then alternates chapters between present and past, and the “past” chambers start before the kingdom was founded and move up steadily in dating until they reach the “present day” (of the Realms, at the time the book was written) at the end of the novel. Myself, I’d read it when you reach that present-day time, which in the list below appears as “Cormyr: A Novel ends.”
There are also a few things missing from this list (like the Spin A Yarn tales), or of disputed date, but nothing major and spoiler-y, I promise.
The dates are in “DR” or Dalereckoning, and the titles of short stories appear in quotation marks (with the name of the book they appeared in following, in parentheses).
Okay, here we go . . .
Cormyr: A Novel begins.
Elminster: The Making of a Mage begins.
“Not the Most Successful of Feasts” (The Best of the Realms II)
Elminster: The Making of a Mage ends.
Elminster in Myth Drannor begins.
Elminster in Myth Drannor ends.
The Temptation of Elminster begins.
The Temptation of Elminster ends.
“The Whispering Crown” (Realms of the Arcane)
“The Burning Chalice” (Halls of Stormweather) begins.
“Too Many Princes” (Realms of War)
“So High A Price” (Realms of Infamy)
“Elminster at the Magefair” (Realms of Valor)
“The Keeper of Secrets” (Realms of the Dragons)
Swords of Eveningstar
Swords of Dragonfire
The Sword Never Sleeps
Crown of Fire
Hand of Fire
Shadows of Doom
Cloak of Shadows
All Shadows Fled
“A Slow Day In Skullport” (Realms of the Underdark)
“Nothing but Trouble” (The Best of the Realms II)
“The Grinning Ghost of Taverton Hall” (Realms of Mystery)
“The Place Where Guards Snore at their Posts” (Realms of the Deep)
Cormyr: A Novel ends.
Silverfall: Stories of the Seven Sisters
“The Burning Chalice” (Halls of Stormweather) ends.
The City of Splendors: A Waterdeep Novel begins.
The City of Splendors: A Waterdeep Novel ends.
Death of the Dragon
“When Shadows Come Seeking a Throne” (Realms of Shadow)
Elminster in Hell
“Tears so White” (Realms of the Elves)
“The Many Murders of Manshoon” (Realms of the Dead)
Elminster Must Die
Bury Elminster Deep
1487 DR (month of Marpenoth)
Or to look at my Realms books in series:
Crown of Fire (1994)
Hand of Fire (2002)
Shadow of the Avatar Trilogy:
Shadows of Doom (1995)
Cloak of Shadows (1995)
All Shadows Fled (1995)
The Cormyr Saga:
Cormyr: A Novel, with Jeff Grubb (1996)
[[in between is a book written by Troy Denning, without me, entitled Beyond The High Road; Death of the Dragon won’t make much sense if you don’t read it first]]
Death of the Dragon, with Troy Denning (2000)
Elminster: The Making of a Mage (1994)
Elminster in Myth Drannor (1997)
The Temptation of Elminster (1998)
Elminster in Hell (2001)
Elminster’s Daughter (2004)
Elminster Must Die (2010)
Bury Elminster Deep (2011)
Elminster Enraged (2012)
The Sundering Saga:
The Herald (you could also read this just as “the next Elminster book after Elminster Enraged”)
The Harpers series:
Crown of Fire (1994) [yes, the same Shandril book listed above]
Double Diamond Triangle Saga:
The Mercenaries (1998)
The Diamond (1998) [[co-written with Rob King]]
Sembia: Gateway to the Realms Series:
The Burning Chalice, a short story in The Halls of Stormweather (2000)
Knights of Myth Drannor Trilogy:
Swords of Eveningstar (2006)
Swords of Dragonfire (2007)
The Sword Never Sleeps (2009)
Silverfall: Stories of the Seven Sisters (1999)
The City of Splendors: A Waterdeep Novel, with Elaine Cunningham (2005)
Short stories & novellas:
Elminster at the Magefair—Realms of Valor (1993)
So High a Price—Realms of Infamy (1994)
The Eye of the Dragon—Realms of Magic (1995)
A Slow Day in Skullport—Realms of the Underdark (1996)
The Whispering Crown—Realms of the Arcane (1997)
The Place Where Guards Snore at their Posts—Realms of the Deep (2000)
When Shadows Come Seeking a Throne—Realms of Shadow (2002)
The Keeper of Secrets—Realms of the Dragons (2004)
The Best of the Realms II (2005)
Tears so White—Realms of the Elves (2006)
Too Many Princes—Realms of War (2008)
And I just remembered:
Lord of the Underways—Untold Adventures (this tale is dated around 1334 DR, if I recall correctly; don’t quote me on this)
Yuskurl and the Uninvited Guest—Ed Greenwood Presents Waterdeep Book 1 (occurs circa 1479 DR or so; don’t quote me on this one, either)
I hope this is of help, Mason. It will date quickly, of course . . .
I have a few questions for you, but first a little bit of background.
I’m an aspiring writer, but it hasn’t been until recently that I’ve considered ever trying to get something published. I have written a few short stories, and tinkered with some self-rejected ideas in the past. Never have I considered doing something on this scale before, but I’m giving it a shot.
I’m aiming to write a fantasy novel, and as such, I’ve been pushing myself to write 2000+ words a day so that I can get it done in a timely manner. The world building has been fairly easy for me, and ideas for the story and character development come rather easily. In fact, the actual writing hasn’t proven to be much of a challenge (except that I’m also trying to balance it with my career as a full-time student). As of tonight, I’ve hit ~10,000 words out of my 100,000 word goal. I started the project last Friday, so I’m right on schedule.
The biggest problem I’ve had so far is finding an appropriate publisher to look at my work. I’d like to keep it within Ontario, or Canada at least. I know you are situated within Ontario, so I feel this may be appropriate. The one company I’ve looked at so far has been Red Deer Press. My questions are thus:
Do you know of any publishers within Ontario or Canada who often accept new writers in the fantasy genre? What about outside of Canada that would accept international submissions?
When in the process of writing would it be ideal to submit a query letter/samples?
Would it be wise to submit queries to multiple publishers at once?
What happens if, down the road, a company offers me an option, but I retroactively breach contract because I’ve given samples to other publishers?
I’d greatly appreciate a response to you, as these are the main things I’m struggling with right now.
With admiration and respect,
Finding a publisher (or the RIGHT publisher) can be difficult for any writer, at any time in their career. Most of the fiction publishers active in Canada publish fantasy from time to time, but I don’t think any of them “often” publish new writers in the fantasy genre except those that are dedicated to fantasy/sf/horror.
Among those, the biggest name in Ontario right now would probably be ChiZine, and if one looks farther afield, to the Prairies, Dragon Moon Press and Edge (though thanks to the presence of Robin Laws in Toronto, and Toronto-area writers he’s published in several Stone Skin Press imprint anthologies, the British publisher Pelgrane Press also has an Ontario presence). They all have websites, so you can try to judge if they’d be a good fit for you. I’ve worked with all of them, they’re all good people, and they all specialize.
If you’re in or near Toronto, ChiZine is “local” and usually publishes dark fantasy and horror; if you attend their reading series down in the Kensington area of Toronto, you can get to meet the publishers and a lot of their writers [park in the Green P parking garage two streets north and east of the venue, and walk].
Dragon Moon publishes at novel length, though their head editor, Gabrielle Harbowy, and I have co-edited When the Hero Comes Home and two sequel anthologies (Hero II and When the Villain Comes Home).
Barring illness or publishing crises, all of them, or their editors, or writers who have published with them (and for that matter with Red Deer, too) usually show up at the established Toronto area conventions like Ad Astra (spring) or SfContario (fall).
And these are just the publishers I notice, with most of my time and energy concentrated on my own work and the daily business of life; I’m sure there are others I’ve missed. Generally speaking, far more publishers these days take an interest in fantasy than did when I started, about fifty years back.
I’m assuming you’re writing in English, and therefore the answer to your international submissions is: lots of publishers, with of course lots of competition for their relatively few open book slots. The leaders in the fantastic fiction field are Tor, the amalgamated Random House (Del Rey) and Penguin, DAW, Baen Books (specializes in military sf), Bantam Spectra, and a myriad of smaller houses, from general publishers like HarperCollins and Simon & Shuster to a wide variety of specialist fantasy and sf houses.
Here’s your problem: not-yet-published writers have a harder road to get in the door than established names. Which is why the “traditional” way, decades ago, was to get short fiction published in the genre magazines, to get noticed, and then try to land a book contract (the largest “survivor” genre magazines are Analog, Isaac Asimov’s SF Mag, and The Magazine of Fantasy & Science Fiction, but these days there are a host of online magazines like Black Gate, Apex, Clarkesworld, and more).
For a first time writer, I would say: finish your book first. Then look at all of the publishers I’ve mentioned and decide who you think would be the best fit for you (publishes works akin to what you’ve just written, in a manner you like, and with a reach or market presence you like). Check their websites to find out their submissions guidelines, AND FOLLOW THEM (treat them as “laws” rather than “suggestions,” because any variance from a publisher’s preferences is a way of weeding out submissions that don’t follow them). Once you’ve found a publisher that says they’re accepting submissions, type up a cover letter that gives full contact information for you, and send a copy of the manuscript (NOT your only copy of the MS, because you’re not expecting to get it back, but follow whatever instructions the publisher specifies for SASEs or other details of submitting).
To query without including the book is often a waste of time, because the publisher can’t judge a book that doesn’t exist, or isn’t finished yet. If you have a string of fantasy bestsellers under your belt, they know you can write and finish novels that are popular with readers. If you don’t, they can’t know that, so you need to hand them the book to judge for themselves.
And no, at this stage in your career, despite the frustration of waiting (and waiting, and waiting), I don’t think it’s a good idea to submit queries to multiple publishers at once. Precisely because of the possibility of getting a bad reputation at the outset by having to withdraw a book Editor B at Publisher 2 loves because Editor A at Publisher 1 has just made an offer on the same book (the situation you foresaw in your last question).
It’s different if you’re a Big Name without any contractual obligations, and have an agent who can auction your new book among multiple eager publishers; then you let your agent handle matters. (By the time you reach that catbird seat, you’ll be long past needing any advice from me.)
And yes, it IS unfair. Publishing is a different beast than, say, inventing a new and better line of clothing, where it’s expected you the inventor will entertain competing bids and go with the best terms; over the years, publishers have come to assume that writers shouldn’t do that. Trying to change the way the industry works is like trying to legislate the oceans from not having tides; a futile waste of your time. Instead of seething while you wait for publishers to decide if they want your book (or more likely, getting around to reading it, amid the PILES of submissions most of them have coming in), use the waiting time to write your next book.
Then, if they love your first book and want to know if you have something ready to follow it with, if they publish the first one, you can happily say yes.
And best of luck. Writing success comes from hard work, self discipline, a spark of inspiration, a big glob of storytelling flair, and (yes) luck.
Thank you very much for the response, Ed! It was very helpful. I really enjoy the depth that you went into with your explanation. I’m particularly thankful for the publishers you’ve suggested, as well as the rule for one submission at a time.
With much appreciation, Necesse
I Just wanted to say thank you for your immeasurable contributions to Fantasy and therefore my childhood. My Father taught me to play D&D at five years of age, thirteen years ago now, and everyday after until I was twelve I never stopped pestering him to play more. From then on I was hooked on fantasy, and all of my favorite things about it trace back to you and the realms in some way. I know you are a Tolkien lover, who isn’t, and so I think this will interest you. Last Semester at my Branch of Kent State University in Tuscarawas Ohio, I took a class titled “Sophomore Special Topics: J.R.R Tolkien.” I called it Lord of the Rings class and it was one of the most enjoyable classes of my career as a student. I’m considering pursuing a career as a college professor, if i am lucky enough, and If i do get a position in the English department at some university, I am going to push my hardest to teach “Ed Greenwood, Storytelling Incarnate.” Thank you again for all you have done for fantasy and myself in consequence, and I have a few questions for you.
1.) Do you, in your minimal free-time, ever play Magic the Gathering, and if so what is your preferred color?
2.) Who would you recommend as a contemporary fantasy author outside of D&D, as I am caught up on a lot of the D&D Novels. 3.) Lastly, Are you a fan of Michael Moorecock, specifically of Elric of Melnibone?
Thanks Ed, you are an inspiration.
Tim, you’re very welcome! Thank you very much for sharing this with me, because knowing my work or the Realms has made someone’s life brighter is why I do it; it’s the fuel that rekindles my creative fire!
And yes, Professor Tolkien has been an inspiration to me (and right now, I’m awaiting my copy of his translation of Beowulf, just published at long last, though I’d give a lot for a new tale by him set in Middle-Earth).
Herewith, some answers to your questions:
1. I have played M:TG, though I’m not up to date; the endless flood of new editions and the rotating “these cards are legal, these are not” stuff just overwhelmed me, back at a time when I was more than wildly busy doing Realms stuff, and I’ve never caught up. Back in the day (and “the day” for me, when I had the chance to share ideas with the creative who were creating cards for the game, was the time of THE DARK and ANTIQUITIES), I was a fan of blue. (Like Elminster and blue mana mages everywhere, I have this hunger to “know everything.” :} ) But I really didn’t play favorites, and always preferred to try to have an “all-colors” deck in play, though in later years I preferred sealed-deck play (where all players can bring a small sideboard of six to nine cards to the table, but the rest of their deck consists of random cards provided for them, that they just have to make the best of).
2. I have LOTS of fantasy author recommendations. If we include authors now dead but recent/contemporary, John Bellairs wrote the delightfully creepy THE FACE IN THE FROST and Roger Zelazny wrote the “essential” Amber series, Jack of Shadows, and the fun, fun A Night In The Lonesome October. If we stick with the living, don’t miss J.V. Jones and Julian May (the Boreal Moon tale trilogy in particular, but also the fantasy/sf Pliocene Exile), and the VERY Tolkienesque in his early books (he helped edit The Silmarillion) Guy Gavriel Kay: his first books, The Fionavar Trilogy, reads like “Tolkien collides with King Arthur and modern real-world university students,” and I cannot recommend his standalone novels Tigana and A Song For Arbonne highly enough. If you like humorous fantasy, Terry Pratchett is superb, and books such as Wyrd Sisters, Hogfather, and Going Postal are all good “starter” books for getting into his long-running Discworld series. Which brings up the essential thing: likes and dislikes in fantasy, as in comedy, are very personal; your “favorites” list and mine may be very different. I know I could go on listing books for pages and pages, but I’ll stop here for now.
3. I have loved Mike Moorcock’s books, particularly those that tie together into his Eternal Champion saga (and yes, Elric is at the head of that list) since childhood. I enjoyed “Elric adventuring with Moonglum” more than the moments where Elric is facing his kin and his destiny. And fascinated with the possibilities of the sentient soul-drinking sword and its obscure properties and side-effects!
Hope these answers are interesting and/or helpful. Right, I must rush off to work now!
Here is a question a fan sent in.
— Question —
I’m doubtful this will actually make it past whatever filters and controls you have in place to minimize distractions from fans but I was hoping you could answer a question for me in the unlikely event you get this.
One of my friends is planning on hosting a D&D 3.0-3.5 game based in Forgotten Realms. He intends to set it during the spell plague.
He has stated that if we wish to utilize silver fire from the forgotten realms campaign setting book we would need to find a way to circumvent Mystra. He assures us that this is possible, however I am unable to figure this out. I was hoping you could point me in the right direction or help me with this conundrum.
If not, I understand and thank you for all the great books.
— End-Question —
Hi, Joshua. The Spellplague is brought on by the death of Mystra; she’s killed on her home plane, and that causes magic to go wild in the Realms, many wizards to go mad (their minds burned out) or die or simply lose the ability to wield the Art. Mystra is not “entirely dead and gone,” because she IS the Weave. And the Weave still exists; it’s just totally unreliable (so Weave-based magic, the arcane magic of the wizard spells in the rulebooks, is, too). Elminster and some others are frantically rushing around Toril repairing tears in the Weave, re-anchoring it, and “reweaving” localized areas to stop a general collapse.
Spellfire is the raw energy of the Weave, turned into a ravening flame that can burn through almost all known magical barriers, and that can heal if and only if wielded with great care by someone who knows how to use it correctly for healing (like a welding torch, it can far more easily burn and damage than it can help and heal). Silver fire is the divine fire of Mystra, a sort of clarified “super” variety of spellfire, more intense and more deadly, normally wielded only by the Chosen of Mystra, the goddess herself, and a few select individuals she empowers.
However, during the early Spellplague, the silver fire that was part of Mystra is “freed” and drifting about, so someone not of the above groups could conceivably end up with some of it – - by random accident or by deliberately capturing some of it.
HOW your characters can do this is up to your DM, and how they learn to control the silver fire rather than being a “wild flamethrower” that endangers themselves and those around them is probably going to be trial and error. However, the likely way to harness silver fire is to devise new spells of the characters’ own, by modifying and copying magical wards, fields, and barriers that have survived the damaging onset of the Spellplague.
You might want to share this lore reply with your DM – - but ultimately, it’s up to the DM what will work and what won’t. There ARE powerful spellcasters that do survive the Spellplague more or less unscathed, that you might encounter as NPCs. Such meetings may well, of course, be dangerous. (That’s why adventures are best enjoyed by the adventurous.)
A message from a fan.
From Atrii Redwood:
Im a 14 year olde fanatic of Dungeons and Dragons, and are currently playing 3rd edition. My favorite race is the Drow, and my setting; Forgotten Realms of course.
A: Well met, Atrii! It’s always good to meet new friends of the Realms. Drow your favorite? Watch sharp behind you! “Favorite” to some drow means “preferred target.” ;}
May your adventures in the Realms all end in victories!
Fan question from Liam B.
Q: I was wondering if you were interested in trying to make an Elminister movie. Just a suggestion and, if you wold please reply to me with an email that would be great.
A: Hi, Liam. An Elminster movie would be a great thing, and I’d love to see one, but I’m afraid such things are not up to me. The rights to do Forgotten Realms-related movies reside with TSR, meaning Wizards of the Coast. I know they’re interested in doing Realms things in all sorts of media. Keep your eyes and ears open…you never know when a movie might be given a green light. Thanks for writing in!